Lampe wants to avoid all that is personal in her art. Therefore she tries to ‘paint herself out of her paintings' as much as possible.
Different from what the title of the exhibition might suggest Lampe gives her works neither titles nor names. She would much rather have the beholder associate freely. The title ‘Kate, Bob & Luca' refers to how the paintings are to call up images and names.
Lampe is constantly searching for the right proportion between content and paint, realism and abstraction. The combination of various painting techniques is typical of her paintings. Big colour areas and minutely painted details, sharp contrasts and soft outlines alternate in her work. Lampe wants to create an ‘image that is stout yet moving'.
Although her portraits are actually quite realistic, Lampe does not consider resemblance important in her portraits. Individual characteristics of models are deliberately pushed into the background. Nevertheless, the appeal of the paintings remains great.
The glance of those portrayed plays a determining role. Whether it is self-confident and cutting or shy and dreamy. Sometimes the eyes are hidden away behind big sunglasses or the beholder stares at the back of the person portrayed.
Lampe thus manages to create tension in her work. She adds false lashes, big jewellery and headscarves; objects with social and cultural connotations that somehow clash with the youthful innocence of her models. Therefore her paintings both attract and push off at the same time. It is this quality which attributes to her works an extra layer of meaning.
d'Jonge Hond Publishers made the publication, entitled 'Kate, Bob & Luca' (ISBN: 978-90-89101-43-3, prize: 24,95)