This sizeable collection comes from Pyongyang, the only city in North Korea open to foreigners. The gouaches and paintings were originally intended for public buildings and hotels. Despite 20 different artists having produced the work, their approach hardly differs and the style is almost interchangeable.
The socialist imagery exudes a powerful sense of dynamism. Many of the artists adopted a lowered perspective, creating the sense that one is looking up to the people portrayed. The works were painted within the specific historical and socio-political context of the 'juche' ideology. Totally dominated by its leader Kim Jong-il, the state refuses any interference from the outside world, which is clearly demonstrated in the works on show. The collection has an undeniably political tint and exudes a an excess of ideological iconography. Topics such as economic reform, dedication and sacrifice, the 'juche', and the 'Army First' doctrine launched in 2003 have the upper hand.