With his dryly comic drawings, absurdist installations and sharp observations, British artist David Shrigley (1968) offers a humorous and critical view of life and the art world. In the exhibition What the Hell Was I Thinking? Shrigley turns that gaze inward for the first time, giving you a glimpse inside his mind.
Shrigley provides witty commentary throughout the exhibition, with observations that scrutinise both society and his own work. The presentation shows how he looks back on earlier pieces, reworks ideas, and gives space to doubt. For Shrigley, being an artist is not about lofty genius, but about a process of experimentation and reflection.
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For Kunsthal Rotterdam, Shrigley brings together a wide selection of his absurdist works, presented in new forms. Fifty drawings created especially for the exhibition depict animals, people, and everyday situations in Shrigley’s distinctive satirical style. His peculiar universe also takes shape in a three-metre-tall, mechanically moving nude figure and horseshoes forged from meteorite. For the first time, a collection of his inflatable sculptures is presented together, including the iconic Swan Thing, in which an elegant swan transforms into a cartoonish creature.
The art of failing
Playfulness and futility come together in Fluff War, an arena specially reproduced for this exhibition. Tiny tufts of fluff battle it out while competition itself loses all meaning. Another example is Topple the Anvil, a fairground-style game Shrigley created in 2015 for Dismaland, the satirical theme park by artist Banksy. Visitors are challenged to knock a heavy anvil off its pedestal with a ping-pong ball – an impossible task that pokes fun at expectation and celebrates the humour of failure.
Razor-sharp imagination
The exhibition also highlights Shrigley’s unique relationship with his audience. A monumental wall displays. What the Hell Was I Thinking? reveals the full range of Shrigley’s razor-sharp imagination.
About the artist
David Shrigley (1968, UK) is a leading British artist who works across a wide range of media, including drawing, painting, sculpture, installation, photography, animation, and print. His absurdist and witty style has brought him international recognition. In 2020 he was appointed OBE for his services to visual art. For the Fourth Plinth Commission in Trafalgar Square, he created a seven-metre-tall bronze sculpture of a thumbs-up in 2016. Three years earlier, he was nominated for the prestigious Turner Prize. Shrigley has presented solo exhibitions around the world, and his work is held in major collections including the Museum of Modern Art (New York), Tate Britain (London), and the National Gallery of Denmark (Copenhagen).
With thanks to Stephen Friedman Gallery, Galleri Nicolai Wallner, Anton Kern Gallery, and Shrig Shop.
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