Standing in front of Emil Schult’s original ‘Autobahn’ painting, one can almost hear the synthesizer riffs of Kraftwerk’s track of the same title. The vividly coloured motorway reaches towards the horizon. As the cover to the world-famous album the painting has reached an iconic status. The exhibition is also presenting an original copy of the most sought-after vinyl album in music history, the ‘Black Album’ by Prince. And exclusively for the exhibition, the British art director Peter Saville edited a video assembling hundreds of style derivatives to the legendary original cover design Saville had made for Joy Division’s seminal album ‘Unknown Pleasures’. The monumental installation ‘We Buy White Albums’ by Rutherford Chang – presenting more than 2,600 used copies of The Beatles’ ‘White Album’ in the re-enactment of a record store – is one of the highlights of the exhibition. It is a meditation on the relationship between an original and its copies and how the terms have different meanings in the music industry and in the art world.
Nightlife and synaesthesia
Nightlife and clubbing are featured in life-sized, penetrating photo portraits of bouncers working at the Berlin nightlife temple Berghain, shot by the photographer and Berghain doorman Sven Marquardt. The Rotterdam gabber techno scene is represented in the Exactitudes series about ‘Gabbers’ by Ari Versluis and Ellie Uyttenbroek. Yet another narrative strand of the exhibition deals with the phenomenon of synesthesia where one sensory experience can unconsciously lead to another. The German painter Bettina Scholz says: “When I hear music, I see colors.” Melodies, chord changes and lyrics can trigger memories as well as the collective unconscious. While a musician can easily turn up the volume to amplify the experience of listening to music, a painter or sculptor has to find other ways to ‘amplify’ his or her art.
The exhibition is realised in collaboration with the Deichtorhallen Hamburg. Guest curator is the author and curator Max Dax, who became known for being editor-in-chief to both ‘Spex’ and ‘Electronic Beats’ — two German magazines for pop culture that changed the way we look at music and art.
In 'Black Album / White Cube' you will find works by Daniel Blumberg, Rutherford Chang, Phil Collins, Anton Corbijn, Cyprien Gaillard, Kim Gordon, Juro Grau, Arthur Jafa, K Foundation, Scott King, Peter Knoch, Mark Leckey, Julien Lescoeur, Luci Lux, Sven Marquardt, Michaela Melián, Radenko Milak, Olaf Nicolai, Albert Oehlen, Richard Prince, Thomas Ruff, Peter Saville, Thomas Scheibitz, Michael Schirner, Bettina Scholz, Emil Schult, Andrea Stappert, Henning Strassburger, Wolfgang Tillmans, Philip Topolovac, Rosemarie Trockel / Thea Djordjadze, Ari Versluis & Ellie Uyttenbroek, Wolfgang Voigt, Cosima von Bonin and Mason Williams.
Breeman Talle Found
The Breeman Talle Fund stimulates visual art in Rotterdam, with a preference for the period between the two world wars.
Fresh 'n Rebel
Endless music listening
The Hall for Contemporary Art hosts major exhibition projects with contemporary artists.